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孟加拉虎/The Tiger of Eschnapur
- 弗里茨·朗
- 西德,法国,意大利
- 0集
- 1959
- 101分钟
- 6.7
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孟加拉虎剧情介绍
Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land.
A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate.
Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.
A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate.
Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.
游客2019-01-05
欧洲白人和东方女人的爱情不需要铺垫。
游客2019-01-05
情节老套，动作戏很别扭。
游客2019-01-05
除了美术一贯优秀之外，故事确实很乏味啊，西方视角的异国想象，看下集如何。
游客2019-01-05
怪异，看不懂，看不懂，看不懂
游客2019-01-05
此为上集，《印度的坟墓》是下集。单就上集而言完全是大师的拙劣之作，说是剧情片吧，它多半都是风光与民俗，说是风光片吧，它多半又是工作室的布景。片中唯独苦行僧的表演一段还能让人眼前一亮。